Trophy wife
Grieving widows
2nd - 21st August 2011
Trophy wife curated by Sarah Jones with Mish
Meijers, Tom Polo, Elvis Richardson
&
Grieving widows curated by DBK
with John
Brooks, Helen Pallikaros, Jacquie Read
Curator Sarah Jones brings some misplaced ambition to Death Be Kind
with a group of artists Mish Meijers, Tom Polo and Elvis Richardson.
Sarah Jones writes;
Symbolic of that which we seek to possess but can never really own, the
trophy wife’s potence exists only in a public realm. She embodies all
that one wants to own and control. She is desire. To have her sit beside
you, displayed, is victorious - but only if someone is watching. Without
the desire of others, the coveted object must be shelved, destined
to collect dust. A ‘voodoo-esque’ reminder of an end; she becomes a
memorial of death.
DBK have curated the exhibition in the office space as a response to
trophy wife through an exploration of materials associated with the body
with artists John Brooks, Helen Pallikaros, Jacquie Read. Jade Bitar
writes;
The trophy wife represents the fantasy, something unreal and unattainable;
they parade and seduce. The grieving widow represents reality, halted
in an incident and regardless of involvement, the label is given and
they must succumb to this role. There is a deranged beauty
in both the widow and the trophy wife as they are the suffering that
fills a gap of what was present in the past but no longer exists. As
the trophy wife’s role is of vacancy, the widow wants only to be vacant,
but instead is bound within memories and failures, contradictions of
life, death and loss. If the trophy wife is the replacement, then the
grieving widow is the irreplaceable.